Part 2: In The TCM Studio….


My day in the studio at Turner Broadcasting in Atlanta was so much fun, and I was introduced to so many folks who have been integral to the success of the Atlanta productions for Turner Classic Movies. Many of the employees featured in my article often travel to L.A. to assist with the Turner Classic Film Festival every year.

Whenever the 20 Guest Programmers visit Atlanta to appear with Robert Osborne, they might meet some of these media industry professionals like …


Camera Operator Pam Ritzie, who was trained in the arts, enjoys being one of the few women hired as camera operators in the film industry, and loves working at TCM in Turner Studios…

The unmistakable allure of the dish garden provides services to over 100 branded channels in 30 languages beaming to 200 countries..

The Turner Studios wall of fame…
 
One of the many mini-homages to Ted Turner on the Turner History Retrospective outside one of the studios…

Ted Turner’s duplicate Hollywood Walk of Fame star in front of his former studios. (The original is located at 7000 Hollywood Blvd.)


Nick Berry, Lighting Assistant, was very busy, but stopped for a quick photo op…


Lighting Director Thomas Branch was so funny, and was very personable…


Production Assistant Jacob Griswell and Key Grip Roger Sherer were happy to smile for the camera. Both Jacob and Roger have multiple responsibilities and are constantly engaged in the production…


Part of the research library for the on-air wraparaounds…

Unfortunately, I didn’t have a photo with cute Peter McIntosh, whose official title is Utility Grip, but he did give me a copy of a lovely magazine, and one of his photos graces the cover.  Peter is the Staff Photographer at Georgia Mountain Laurel, which highlights entertainment, business and all subjects concerning travel to the exciting state of Georgia.

I also was lucky enough to visit with Senior Production Manager and Assistant Director Anne Wilson, and Sandi Winslow, who is in charge of the Teleprompter, but unfortunately didn’t have any photos of these lovely ladies.

Adorable Art Director Marty Kelly and Senior Research Whiz Alexa Foreman are good friends…


Alexa Foreman and Robert Osborne at Turner Studios during Foreman’s interview before a screening of one of her favorite films, The Last of Sheila. (Photo courtesy of TCM)

And what does Ben Mankiewicz think about those Oakland A’s this year?
Follow the link to find out: http://m.youtube.com/watch?v=XIEL7w-D3JE
(Photographed by Peter McIntosh)

My many thanks to the wonderful TCM Staff at Turner Studios, Senior Researcher Alexa Foreman and Host Ben Mankiewicz.

Contact Senior Researcher Alexa Foreman at ASK ALEXA on The Silver Screen Oasis, a website for fans of classic film, here: http://silverscreenoasis.com/oasis3/viewtopic.php?f=1&t=6338&start=60
Contact Peter McIntosh at McIntosh Mountains Photography: http://www.mcintoshmountains.com

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On The Set Of Turner Classic Movies With Ben Mankiewicz…

I was lucky enough to spend December 6th at the Turner Studios in Atlanta watching Ben Mankiewicz film some of his segments for our favorite cable channel, Turner Classic Movies, which will be twenty years old in 2014, and it is still commercial free.

Where else can classic film fans view their favorite films ad-free and with in-depth commentary by Robert Osborne and Ben Mankiewicz?

As I was beginning research for an upcoming project, I wanted to consult with an industry professional, a historian, and a documentarian…

Senior Researcher Alexa Foreman hard at work…

My good friend, Alexa Foreman, Senior Researcher at TCM, took me on a short tour of the offices of TCM personnel concerned with the responsibilities of the day-to-day operations, and I met the lovely Holly Harper, a sweet lady who just happens to be Programming Director for TCM Canada. Harper also happily admits to reading the “Sue Sue” TCM Film Festival columns on the TCM Message Boards from time to time, some of which are archived on this blog, with more scheduled for updating by 2014. (The “Sue Sue” TCM Festival columns have a combined readership of over 300,000 views on three different blogs, one of which is The Silver Screen Oasis, host of a popular Guest Author Series highlighting authors concerned with classic film subjects.) Harper reads the TCM Message Boards every day and appreciates TCM viewers and their comments, and is enthusiastic about her dedication to TCM. I also was able to say hello to Tim Reilly, the director of my Fan Perspective Video filmed in 2010 on the roof of the Hollywood Roosevelt Hotel in Los Angeles, and watch the elusive but adorable Sean Cameron as he directed Ben Mankiewicz’s segments, as well meeting many other hard-working and dedicated staffers.
I was most curious about how each introduction and final comments were written, reviewed, and filmed, and it is obvious that much detail and detective work accompanies scripts prepared for Robert Osborne and Ben Mankiewicz, and Mr. Osborne still reviews all the scripts.


Ms. Foreman, as “The Keeper of the Flame” of accuracy and detail, reviews content, checks facts, and monitors a shoot while it is being filmed from her office outside of the studio. Foreman also reviews the video feed from the studio to modify any changes Ben Mankiewicz or Robert Osborne might make to a segment.

In order to research each script, Foreman has access to a huge library of film-related books, compilations, filmographies, encyclopedias, and biographies of actors, actresses, directors, technicians, photographers, and screenwriters, a roomful of digital files and interviews, and various other electronic sources in order to develop scripts for Osborne and Mankiewicz.


One of the many hallways leading to the studio where Ben Mankiewicz films his segments contains highlights of Turner Studios through the years…


When I arrived on the set before Ben had entered, I was immediately offered a sumptuous breakfast prepared by a local Atlanta caterer who had steam tables filled with hot biscuits, sausage, bacon, cheese grits, and eggs. Also prepared for the staff on set included coffee, tea, and sodas, fresh fruit, granola bars, and other yummy snacks. Since the action on the set is fast-paced and allows for a short lunch break and a ten-minute turnaround between sequences, TCM ensures all the breakfast and lunch needs of crew members to keep everyone happy!

Pat Segers, in charge of makeup and hairstyling on the set, is another sweet lady who has been with TCM since the beginning of operations, and has been privy to many of Robert Osborne’s Private Screenings as well as many of Osborne’s own wraparounds as she was in charge of his makeup and professional appearance for so many years.
Segers shared that she met Betty Hutton, Robert Mitchum, Ann Miller, Jane Russell, and many other Private Screenings subjects, and marveled at how Osborne has been able to elicit such candid comments from many of Hollywood’s stars of classic films. Segers claimed Betty Hutton was quite nervous on the set, but Osborne’s manner helped to calm her for the cameras, and Hutton clutched her rosary for much of the filming. Ann Miller was very “polished” both in her appearance and her manner, and Robert Mitchum was laughing and joking with the crew, but was very ill at the time of his taping. Segers has her own personal styling business, and reveals that she “airbrushes” on all the foundation before her subjects are ready for their moment on the screen
When Ben arrived on the set, he smiled, and we started chatting about the last festival. He was happy to see I was there to chronicle his day in front of the camera.

Ben being prepped by a staffer for the next segment…

The first few moments before filming a segment, Ben reviews the scripts, and plans how he will pace his descriptions of each movie, sometimes repeating a name or phrase that he might be unsure of as he laughs and jokes with crew members in between preparation time and shooting the script. Ben also told me that he checks all his “scripts in the wraparounds” and receives copies several days prior to the shoot, editing and/or reviewing “every single one of them,” and often adding some of his personalized comments. On the day of filming, he reads through them again in order to make additional changes if necessary. With such detailed preproduction for the Mankiewicz and Osborne programs, Turner Classic Movies continues to be a cable channel whose personnel are all focused on accuracy and professionalism.

Ben wanted me to share our photo with everyone…

Ben also wanted me to share photos of some of his favorite friends…


The Atlanta set is decorated with a memento of Ben’s favorite dog, Rookie. Rookie’s leash and other pet related items kept  Ben wistful talking about Rookie, and he was deeply impressed to know that his fans cared so much about his beloved furry friend. Since there had been such concern during the last festival about the death of Rookie, he wanted everyone to see his current pals–Petey, Lewey, and Bob, and he said that Bob is actually a girl!

More in Part 2 …

Many thanks to Ben Mankiewicz, Alexa Foreman, Sean Cameron, and the crew of Turner Classic Movies for a fabulous day in Atlanta!

Pat Segers has her own make-up and styling business and can be contacted at pat@patsegers.com.

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